June 5, 2019 § 1 Comment
In Korcula, we feast.
Our guest house is a good thirty minutes walk from town, and each day we make the trek along the blue-green water, sometimes more than once. This is Europe, so of course the cars mind the pedestrians. The miles add up, step by step, and soon we are walking six, seven, eight plus miles a day.
Thank goodness, because this is the land of plenty.
There is rich chocolate gelato dripping down fingers in the sun. A dry white wine, Grk, grown and distributed only on the island, tasted from a chilled green bottle alongside a sweet red wine, a cherry liquor, an herbal grappa. Goat cheese and cow cheese and black and green olives. Bread and olive oil so flavorful, it’s a meal in and of itself.
If this is not enough, fried shrimp and fried calamari caught straight from the sea lapping at our feet, and even a taste of salty crisp sardines dunked in tartar sauce.
Still more, though: cherry, cheese, and Nutella-filled, flaky, and warm pastries in the morning; black Americanos sipped at tiny tables in an ancient stone alley; later, a bus ride into the rainy hills to a seemingly otherwise desolate town, roses the size of fists growing before crumbling stone homes and quiet empty churches overgrown with the twisting of floral vines, to the popular Belin restaurant, home to homemade pastas and Dalmatian green beans and, why yes, the caramel cake for desert, why not?
It is not always so decadent, of course. The simple meal of bread and cheese and salami, perhaps a leftover slice of cold pizza, also suffices. But the abundance is a gift to be savored — call it fulfillment, satiation, the cup that overflows.
June 1, 2019 § 4 Comments
We have come to rest, he from the demands of work, I from the trauma of a waning illness which I am determined to wholly recover from, determined shall not hold me back. In the mornings, we drink coffee and eat yogurt and bread and cheese and salami and Nutella, reading and watching the perfect ocean. Is it indulgence? Or merely living life well? Leisure, really. The bliss of long night’s of sleeping without an alarm, of awakening to sunlight and birdsong, to afternoon strolls through the ancient medieval walls of a city built hundreds of years ago, a city bombed and since reconstructed, a city jam-packed with tourists from all over the world.
Then, it’s onto a ferry that whisks us across the Adriatic to an island, Mljet, legendary oasis of Odysseus, possibly a haunt of Paul’s. I am determined to make it, but here again, the splitting pain, the lying on a strange contraption called a “back jack” that miraculously eases said pain, the walking through it because I did not come all this way only to suffer.
We take a boat across a teal-blue salt lake to an island on the island — St. Mary’s, home of a Benedictine monastery. In hat, dress, and sandals, I circle the monastery walls in the sunshine, clamber over crumbling rock steps split by red poppies, white lilies, purple and pink wildflowers buzzing with giant honey bees and yellow, green, and orange butterflies. It is a fecund place, overgrown and blossoming, a tomato and zucchini garden here, a stained glass window of Mother Mary there. Along the way, an occasional weeping juniper.
The monastery is under reconstruction, but I imagine the monks’ prayers anyway, lingering in the sweet, quiet air. I join mine with them and take a photo of their seclusionary walls. Are we all praying for each other, at the heart? We find a sunlit slab and promise to return the next day, for a swim in the warm, buoyant salt water. No wonder Odysseus stayed so long, my guide book says. It is the isle of bliss, Edenic.
“I feel better,” I tell Jared. He says, “And tomorrow you will feel better. And the day after that, better. And the day after that, better.” And on and on, we live in this space of not-yet-healed, moving toward what is whole and holy.
The next day, I do surrender my body to the water, but only part ways — in reality, it’s freezing. Afterwards, we walk for seven miles around the lake, feeling better. And even better.
May 25, 2019 § 2 Comments
Is it foolishness, or acting out of a sense of hope? I say the latter, but is that merely because I am greedy for beauty, greedy for a return to that version of me who went, went, went, on planes from here to there, longing to see with my own eyes these views of glory?
I am being too poetic here.
What I mean is this: we bought two tickets to Croatia when it seemed so very likely that my health was on the upswing, and then, one week out, my back erupts in excruciating pain.
Why now, I wonder? Just last month, I spent a long weekend camping in Big Bend with no Lyme symptoms at all, and now, a slight turn of the back at my desk and suddenly, I am back on the phone with my doctor, back shelling out money for therapy I pray will alleviate the pain that is all-consuming before I must confine myself to a tiny airplane chair for eight hours.
It’s the pain that does it: I can think of nothing else. My doctor reassures me: this will pass, your system is simply vulnerable, you. Will. Be. Fine. But that part of my brain based in fear only remembers this time last year, when it was uncertain why I was in so much pain, whether the pain would ever stop, and I am doubtful, though still, there is the acting out of hope, the slow preparations, Jared’s reassurance that he will be with me, to help.
On a Tuesday, we board the airplane, I take a muscle relaxer and fall asleep with a knife in my back, a whisper of a prayer like smoke rising with me into the darkening, eastward sky.
And then, suddenly, Paris, the city that never ceases to enchant. We thread the dingy underground Metro, and emerge into the sunlight — oh, city of lights! Ten years since I walked up and down beneath the shadow of the Eiffel Tower, another five since I tromped the long lane of the Champs Élysée, eyes widened with the wonder of Paris, of Nutella crepes and cigarette smoke and flowered balconies and the ritzy, rich shops — tight black jeans, sugar-spun scarves, occasionally, a burka. We walk along the Seine, tired, red-rimmed bleary-eyed, stopping before the Louvre for a quick photo, sipping chilled Rosé, eating at a tiny round table a croqué madam, croqué monsieur, blackest espresso, deux café au lait, s’il vous plait. Once, I sat in classrooms and learned the language, but how much I can’t remember.
Oh well, the main thing is this: in the morning I wake in Paris, pain-free.
How quickly I forget pain once it passes. “After great pain, a formal feeling comes,” says Emily Dickinson. For me: a forgetfulness. Was the pain ever so bad? Did I ever curse God Himself in the fury of a child who’s fallen and can’t understand why she smarts so? Did I ever see Jesus, standing at my church near the altar, seated beside me in my room, floating above me in the bathtub where I soaked my poor muscles in the hope that heat would ultimately alleviate the pain? He did come with me, pressing the knife of His hand into my back where the split occurred, that invisible wound I carried and became all of me, all-encompassing strange companion of white-lit nerves.
But now: all is forgotten. I sit beside Jared on a sunny terrace overlooking orange-tiled roofs and the green-treed islands of the blue Adriatic. Birds chirp and the breeze is cool. Dubrovnik, Croatia, our city of rest. My body, slowly restored, sign of mini-resurrection.
February 14, 2019 § Leave a comment
Over the past few years, I’ve enjoyed following the trajectory of the cross-generational music partnership, Liturgical Folk. They’re the unexpected artistic pairing of a retired Anglican priest who writes remarkable religious poems and a young songwriter who composes unique folk songs. If you missed it a while back, I wrote about them for The Dallas Morning News.
This past week, I published a follow-up story about their latest albums and the success of their project overall for Christianity Today. As it turns out, Liturgical Folk is part of a broader trend within the Anglican community right now — revitalizing music in the church with liturgy, poetry, and personal response.
October 19, 2018 § Leave a comment
On a Thursday afternoon I drive north from Dallas, snaking my way through the tangle of concrete dividers, oversize billboards, and fast food restaurants that beleaguer both sides of the highway until I reach the flat plains of Oklahoma and, at last, the dry grasslands of southern Kansas. The grey sky intermittently spits on the windshield. To the west, pale blues and blush pinks smear the horizon. I listen to the wipers rub the glass and drink scalding coffee purchased at a McDonald’s in the middle of nowhere.
What is it about long, quiet road trips, sailing over the flat land, that allows space for thoughts, little scraps of consciousness, to drift into attention? I sip my coffee as the spare country flies past, and think about — what? God, a little. And a memory from the week before, when I awoke in a frigid Colorado campsite to see the mountains encircling the valley crowned with snow. And this time last year, of course, when I first felt the unusual intimations of what would, a few months later, blossom into a full-out illness: Lyme Disease.
I think about how happy I am to be alive, how thankful I am for my health, even as I continue to recover (compared to earlier this year, I am a new woman with only lingering discomfort in my hands, an occasional pinch of pain along my spine). I wonder about the wildness of a world where microscopic bacteria can invade my tissues and make my life a living hell, which in turn causes me to consider God’s place in this beautiful yet dangerous creation. I think about how much I love the book of Job because it acknowledges our human frailty and the ultimate absurdity of our attempts to understand God’s ways — how much more I trust Scripture because of Job’s place in it! Then, I am thinking about suffering, and how reading about Christ’s compassion toward the sick and debilitated while I myself was laid low evoked in me an unadulterated desire for Him to move in me with such healing power.
Lofty thoughts, I suppose, if they were a little more fully-formed. Really, though, they are nothing more than fleeting speculations mixed with a sense of awe at my littleness in the vast expanse of amber and chestnut land extending on all sides, the drizzling rain, the stormy grey clouds, and the God who made it, calling it not just good, but very good.
Good, but certainly not safe. Or perhaps safe in some ways — in the ways that matter (I am thinking here of the lilies of the field). I make my way forward along the dusky road (metaphysical and actual, as the sun sets and I near Wichita). I ease forward with dim understanding, my flakes of consciousness amassing to so much more.
September 20, 2018 § 1 Comment
For the past few years, I’ve accumulated a variety of potted plants. Sea green aloe vera. Flat-leafed jade. Spindly fire sticks. Some were gifts from friends; others, clippings from the cacti in our backyard; and still others, splurges bought at Home Depot and the local nursery when my soul was hungry for something green.
I am fairly good at tending them — so far, I’ve only killed one, and that from overwatering. Lately, though, I’ve realized that almost every single one of them needs repotting. They’ve outgrown their old pots, heavy leaves drooping over the lips onto my windowsill, long stems jutting up, up toward the window and the sky. Some of them are three times the sizes of the pots they call home.
It’s high time for repotting.
It is still hot in Texas in September. Sweating, I haul a large pot from the tangled mass of unused pots in our backyard, along with a bag of fresh dirt and rocks to line the bottom. First up: my zz plant, also known as a Zamioculcas Zamiifolia. It lives in a tiny, round, grey clay pot, five thick stalks covered in glossy flat leaves. Sturdy. Healthy. An easy first go.
Easy, I think, until I attempt to remove it. The plant won’t budge, and soon I know why. When I finally manage to pry the zz plant from its pot, I realize the whole bottom half of the pot is thick with fat roots wound tightly around each other in a massive ball. Finally freed, the roots hang down a bit too much like ropy worms than I would like, the roots nearly as long as the plant is tall. There was hardly any dirt in that pot at all, I realize. Mostly, it was just roots growing steadily in closed darkness.
A longing stirs in me as I stare at the zz plant held in my hand, white roots dangling above its new pot half-filled with fresh dirt. I feel my own limitations, the constraint of my own tight space pressing against my metaphorical thick ball of roots. How many of you, like me, need a new pot? Space to spread our roots, to sink deeply in rich soil, to stretch ourselves toward the sun? How many of us are cramped deep in dark spaces?
Like the zz plant, we grow substantially, faithfully within our limitations. Like the zz plant, when we’re set in our big, new pots, we will be ready, ready to prosper, flourish, ready to thrive. In the meantime, we grow quietly.
I set the roots of the zz plant deep within its new pot, giving them room to lengthen, to widen. I imagine the plant is happy because it can suddenly breathe deeply again after its many years of constraint. I wonder what it is like to have space to be fully what it was meant to be. I set the zz plant in a prominent spot in my room, a green reminder of what’s to come.
September 18, 2017 § 3 Comments
Lord, have mercy on the artists.
Have mercy on the ballet dancer who’s memorized the steps for her upcoming audition so perfectly she dreams the movements in her sleep, her toes pointing and flexing beneath the sheets. She arrives early to the audition, her tired pink leg warmers drooping along her calves, her worn point shoes tied at the ribbons and slung over one arm, her eyes shining with the hope that maybe, just maybe, this time she will get a part in the dance.
Have mercy on the painter who wakes early every Saturday morning to catch the golden light at the dawn of day. She arranges her paint brushes, canvas, and easel at the edge of the water, listens as the birds begin to chatter, watches as the sunlight first touches the lake. During the week, she works as a waitress, balancing trays of ice water and fried fish with a strong arm that now holds her palette, but when people ask her what she does she lays claim to her true nature and in the face of their skepticism (How do you make a living painting landscapes?), she answers boldly, I am an artist. It is a labor of love.
Have mercy on the pianist who’s taken private lessons in the living room of an elderly lady with shock white hair since she was three years old. She volunteers at her church now, playing old hymns that still tingle her nerves, her fingers flying across the chipped black and white keys. She dreams of one day playing on a Steinway at Carnegie Hall. And why not? Her parents always told her she could do anything. And it isn’t out of vanity or ambition that she practices arpeggios and scales day after day, but because she loves the clear and complex sound of the chords as they progress gracefully. She only wants an audience for her music, an audience who appreciates the great composers like Beethoven and Shostakovich. She wants to perform well, for the music to transport those who listen.
Have mercy on the actress who cannot decide whether she should stay in her small hometown where she teaches acting at the local high school and performs starring roles in the community theater or move to Los Angeles where she might attend audition after audition and never receive a single callback in ten years. She fell in love with theater when she was thirteen years old because the theater kids were weirdos too, and she thinks she has real talent, thinks she might actually be somebody someday. Her motivations are mixed: she loves theater, enjoys it for what it is, but she also wants to be rich and famous, a true Hollywood star. She doesn’t move because she’s afraid of this monstrous ambition hidden deep within her, and yet, she probably is talented and hard working enough to catch the eye of any producer.
Have mercy on the writer who wakes every day before the sun, brews strong black coffee, lights several candles and a stick of sweet incense before sitting hunched at her laptop, stringing word after word, spinning stories out of smoky air. On her good days, her imagination carts her off to magical lands where she meets strange and interesting characters who come to life on her computer screen. But on her bad days, she is full of fear, a fear that keeps her from that other land, a fear that says, Nothing you create is worth anything. It is all the vanity in Ecclesiastes, words dispersing like fine blown dust.
Lord, send your grace upon these your people. In their failures, in their ambitions, in their needs, remind them that You love them. Remind them that You are pleased whether they do anything or not. Remind them that the tasks set before them are worthy. Remind them that You bear their disappointments with them, that they are not alone. Remind them that they have something to offer. Remind them that they are, simply, children of God.