January 13, 2021 § Leave a comment
He is the radiance of the glory of God.
~ Hebrews 1:3
Recently, I have felt God speaking to me through the moon. During the hardest parts of my struggle to diagnose and overcome Lyme disease, God was to me the waxing moon, each day growing bigger and brighter, until He was the full round moon, so bright, I could not escape Him. His presence was so real, to disbelieve in Him would have been to rip the organ of reason from my mind. I saw Him everywhere. His radiance was bright upon my skin during one of the darkest nights of my life.
Then, health. How wonderful to recover this most precious of gifts! The strength to walk. The relief in my back. The easing of the sharp pain in my fingers. And just as the pain seeped away, so too did the moon of God begin to wane. “I believe He is still there,” I would tell my husband, “just like I believe the moon is still there, even when I cannot see it.”
So it goes with so many of us. We see God most certainly in the hardship. This the paradox, the mystery we hold, but who can understand? So thin did God become to me in my newfound health, He was like the new moon, His light no longer present, no longer illuminating even a single blade of grass. I would go outside, and look up at the sky, and see a great blackness.
But why be surprised? The spiritual life has its pattern, just like the natural world has its circadian rhythm, the rotation of the earth, the steady repetition of the seasons.
At the beginning of the month, my husband and I braved a plane to Antigua, an idyllic island set like a green jewel in the pristine blue waters of the Caribbean. A respite at last from what has felt like a merry-go-round of madness. While we were gone, some people stormed the capitol, but we heard about it later. For just this moment we were blissfully unaware of other people’s opinions and the movement of disease and the mad vying for power. I stood at the edge of a cliff overlooking the sea, and the sun shone, and the waves fell relentless. The natural world is so indifferent. Sometimes this scares me. Other times it feels like relief.
This morning, I read in Hebrews that Christ is the radiance of the glory of God. I pause. I let the words settle. Radiance. The sun’s bright rays. I cannot look directly at the sun without being blinded, but I can feel its warmth on my skin as I bathe in its downpour. I can see the water and the sand and the metal mast of my parent’s hardy sailboat reflect its luminescence. Christ like the rays of the sun: warm, illuminating, observable. I know the truth we too often gloss over: when I cannot find God, I can look to Christ to know Him.
Now, we are back home. Back to routine. Back to a new year and work and play. I miss the sun and the salt water. I even miss the manchineel tree, beautiful to look at, poisonous to the touch. But despite the low temperature out my window and the frost on my resilient broccoli plants, the sun shines here also. My skin is browned in places, red and itchy in others. A tangible reminder, at least until it fades. A physical, temporary locus of a hope which ebbs and flows, yes, but remains.
February 14, 2019 § Leave a comment
Over the past few years, I’ve enjoyed following the trajectory of the cross-generational music partnership, Liturgical Folk. They’re the unexpected artistic pairing of a retired Anglican priest who writes remarkable religious poems and a young songwriter who composes unique folk songs. If you missed it a while back, I wrote about them for The Dallas Morning News.
This past week, I published a follow-up story about their latest albums and the success of their project overall for Christianity Today. As it turns out, Liturgical Folk is part of a broader trend within the Anglican community right now — revitalizing music in the church with liturgy, poetry, and personal response.
September 18, 2017 § 3 Comments
Lord, have mercy on the artists.
Have mercy on the ballet dancer who’s memorized the steps for her upcoming audition so perfectly she dreams the movements in her sleep, her toes pointing and flexing beneath the sheets. She arrives early to the audition, her tired pink leg warmers drooping along her calves, her worn point shoes tied at the ribbons and slung over one arm, her eyes shining with the hope that maybe, just maybe, this time she will get a part in the dance.
Have mercy on the painter who wakes early every Saturday morning to catch the golden light at the dawn of day. She arranges her paint brushes, canvas, and easel at the edge of the water, listens as the birds begin to chatter, watches as the sunlight first touches the lake. During the week, she works as a waitress, balancing trays of ice water and fried fish with a strong arm that now holds her palette, but when people ask her what she does she lays claim to her true nature and in the face of their skepticism (How do you make a living painting landscapes?), she answers boldly, I am an artist. It is a labor of love.
Have mercy on the pianist who’s taken private lessons in the living room of an elderly lady with shock white hair since she was three years old. She volunteers at her church now, playing old hymns that still tingle her nerves, her fingers flying across the chipped black and white keys. She dreams of one day playing on a Steinway at Carnegie Hall. And why not? Her parents always told her she could do anything. And it isn’t out of vanity or ambition that she practices arpeggios and scales day after day, but because she loves the clear and complex sound of the chords as they progress gracefully. She only wants an audience for her music, an audience who appreciates the great composers like Beethoven and Shostakovich. She wants to perform well, for the music to transport those who listen.
Have mercy on the actress who cannot decide whether she should stay in her small hometown where she teaches acting at the local high school and performs starring roles in the community theater or move to Los Angeles where she might attend audition after audition and never receive a single callback in ten years. She fell in love with theater when she was thirteen years old because the theater kids were weirdos too, and she thinks she has real talent, thinks she might actually be somebody someday. Her motivations are mixed: she loves theater, enjoys it for what it is, but she also wants to be rich and famous, a true Hollywood star. She doesn’t move because she’s afraid of this monstrous ambition hidden deep within her, and yet, she probably is talented and hard working enough to catch the eye of any producer.
Have mercy on the writer who wakes every day before the sun, brews strong black coffee, lights several candles and a stick of sweet incense before sitting hunched at her laptop, stringing word after word, spinning stories out of smoky air. On her good days, her imagination carts her off to magical lands where she meets strange and interesting characters who come to life on her computer screen. But on her bad days, she is full of fear, a fear that keeps her from that other land, a fear that says, Nothing you create is worth anything. It is all the vanity in Ecclesiastes, words dispersing like fine blown dust.
Lord, send your grace upon these your people. In their failures, in their ambitions, in their needs, remind them that You love them. Remind them that You are pleased whether they do anything or not. Remind them that the tasks set before them are worthy. Remind them that You bear their disappointments with them, that they are not alone. Remind them that they have something to offer. Remind them that they are, simply, children of God.
October 26, 2016 § 4 Comments
I wrote this story about my first night in South Sudan a while back, but wanted to share it now in anticipation of Seed Effect’s fundraising event on Thursday, Oct. 27. If you’re interested in attending this event or learning more about the organization in general, please let me know!
When a small African country appears on the pages of an international newspaper, the news is almost certainly bad, and if that small African country is South Sudan, you don’t need to read the headline to know that the story is proclaiming horrific calamities far beyond the scope of most Western lives.
South Sudan has been in the news a lot recently, with stories coming out about rape, mass murder, and the dislocation of millions. As a result, most people who discover that I visited the country within the past year are, at first, shocked that I had the audacity to go, and then, shocked again to realize that I returned alive.
“I can’t believe you went there,” people say. Or, “Isn’t that a war zone?”
I never know quite how to respond to these questions.
After all, I was only in South Sudan for two weeks, which hardly makes me an expert on the country, and while any visit to South Sudan is somewhat dangerous, during my short stay, I remained within the confines of a small village in the south, while the violence occurred far to the north in an area only reachable by poorly maintained red dirt roads. As one of my fellow travelers put it, getting from our village in the south to the violence in the north would be like trying to drive from Dallas to Oklahoma City without a car or a road. She was exaggerating, of course, but you get the gist.
When people ask me what South Sudan was like, I usually, once again, find myself at a loss for words.
Sometimes, I describe the town where I stayed.
Kajo Keji is lush and green, I say, with rolling cornfields and leafy trees. Goats are tied to stakes along the road. Many South Sudanese live in mud huts called tukuls. Children collect well water in plastic buckets. Men ride motorcycles through town. Women cook chicken over fires with babies strapped to their backs.
Other times, I talk about the war.
It’s caused by two tribes fighting in the country’s oil-rich north, I say, quoting what I’ve read in the paper. And while all of the atrocities you read about are true, the South Sudanese I met were fundamentally joyful. They were generous and gracious and tremendously faithful, and I admire them very much.
Usually, people want to know whether I felt safe. To which I reply: yes, and also, no.
Yes, I felt safe in Kajo Keji. It was safe enough for me, a twenty-something-year-old American woman, to wander away from my fellow travelers in the market and buy avocados from a South Sudanese woman with a baby in her lap. It was safe enough for me to eat some unknown meat prepared over a fire in an outdoor kitchen. And it was safe enough for me to walk alone amongst the tukuls on a Sunday afternoon while barefoot children skipped beside me shouting “Hieee!” and “Galatot!” – Kuku for “white person.”
Yet, it was not safe enough for us to sleep in a concrete bunker at night without a South Sudanese man guarding the place with a bow and arrow. It was not safe enough to prevent one of my fellow travelers from observing toward the end of our stay that he was glad we were leaving soon – he’d recently heard that soldiers from the north were moving into Kajo Keji in case of a coup.
And it was not safe enough for us to cross the border from Uganda into South Sudan without being stopped in the dead of night by soldiers with vicious-looking semi-automatic rifles.
I’d been fast asleep against the square window of the Cessna Caravan, the small propeller-powered plane flying us over the rural countryside of Uganda, when we began the descent. I awoke just in time to stare in awe at the thatched roofs of the tukuls, the smoke from the outdoor fires, and the children running through the bush.
We landed on a bumpy grass field which served as the airport in Moyo, a small Ugandan village on the border of South Sudan. The field happened to be located beside the village school, and as soon as the propellers stopped turning, dozens of children of all ages crowded in a circle around the plane. Though many of them weren’t wearing any shoes and most of their clothes were more like filthy rags, some of the teenagers owned flip phones, and they unabashedly took photos of us as we stepped off the plane.
We’d left Dallas over forty-eight hours earlier, but Moyo wasn’t our final destination. We still had to drive over the Ugandan border into South Sudan, where the twelve of us would spend two weeks working with Seed Effect in Kajo Keji.
Originally, we’d planned to fly into Juba, the country’s capitol. But the day before our planned departure, news of possible violence and travel moratoriums in Juba caused us to change plans. We were now entering South Sudan through Uganda by bus.
We were a group of Texans of various ages and backgrounds with one thing in common: we’d all felt a spiritual call toward South Sudan.
As for me, the decision to go had been fairly easy. Ever since I first learned about microfinancing in my high school world studies class, I’d admired how it empowers individuals in low income situations. As a budding journalist, I would be able to write a profile of the organization’s founder for my local newspaper. Plus, I love traveling, especially traveling to exotic places, and though I was wary of using this personal enjoyment as a reason to go, I must admit that it came into play. I never felt God whispering in my ear, “Go to South Sudan,” or anything like that, but I’d been told that God doesn’t always talk to you in your dreams; sometimes, the right path to take is simply the one laid out in front of you.
Now, however, I was doubting all of my reasons to come.
We’d waded through the throngs of Ugandan children to climb aboard a mud-splattered bus with the words “reaching the unreached” scrawled in faded blue paint along the side. I’d sat in a window seat toward the back with the intention of getting a good view of the African bush. It was a short distance from Moyo to Kajo Keji, and if we’d been on a paved road in the U.S., we would have reached it in less than an hour. But the roads in these parts of East Africa are not only unpaved, they are dusty and full of potholes.
Our ride would be bumpy and slow, and we had to stop three times before we reached South Sudan: first, when a Ugandan soldier on a motorcycle with a machine gun strapped to his back gave us a ticket for breaking some mysterious law; second, at the Ugandan border, where we relieved ourselves in a shack built over a cement hole and were told by a Ugandan border guard that we needed to pay him a good deal of money for Visas to leave the country; and third, at the South Sudanese border, where we sat on hard benches in a hot room watching a monkey tied to a stake turn circles around himself while we waited for the South Sudanese border guard to finally tell us that the Visas we obtained in the U.S. were now worthless and we would need to purchase new ones – at a high price.
By then, the sun had set, and when the sun sets in South Sudan, it is pitch black. We stumbled through the dark, most of us only half lucid, and climbed back onto the bus to begin the final leg into Kajo Keji.
I was just beginning to consider using my duffel bag as a pillow – after all, I couldn’t see any of the tukuls or leafy trees or sloping hills in the dark – when lights flashed on the road ahead.
The bus pulled to a stop.
We were immediately alert. The driver and our South Sudanese escort whispered to one another in the front of the bus. Outside, I saw the outline of several tall, lanky South Sudanese men in camouflage standing in the headlights, holding semi-automatic rifles.
Our escort, a young woman in khaki slacks and a magenta button-up, got out of the bus. When she returned, her expression was unreadable.
We’d been stopped by the soldiers, she said. They wanted to search the bus. Everyone had to get out.
Oh my God, I thought to myself as I followed the rest of the group down the aisle. Today is the day I am going to die.
My mind flashed back to the many news articles I’d read in preparation for the trip, stories about mass rape and murder. We’d been assured that violence of that kind rarely happened in this part of the country, but what if we were the rare exception?
I saw us lined up against the side of the bus and shot. I saw us kidnapped for ransom. I couldn’t imagine what rape would be like, but I wondered if that might happen, too.
As we huddled together in the dark, the South Sudanese soldiers encircling us with their guns held loosely, black barrels jaunting to the side, I began to pray.
More often than not, when I take the time to pray, my prayers are accompanied by the voice of doubt, which wonders whether prayer has any real efficacy at all. I mean, when all is said and done, sometimes it seems our prayers are answered, but other times, it seems they’re not.
Sometimes, the circumstances in our lives line up so perfectly that wonderful miracles happen. Other times, the circumstances in our lives line up so unfortunately that inconceivable tragedies occur. How can I equate one to the answer of prayer without simply turning a blind eye on the other?
But the voice of doubt was not in my head that evening as the South Sudanese soldiers forced our vulnerable group to circle the bus. It never is when you’re really in trouble. I prayed ceaselessly, relying solely on the fervency of my prayer and the hope that God was listening. After all, what else did I have to protect myself if the situation made a turn for the worse? I’m not sure I had ever really prayed in my life until then.
The soldiers wanted each of us to remove our suitcases from the back of the bus.
The first member of our group to bravely step forward was a lady who loved Disney more than almost anything in the world, and when the young soldier aimed his flashlight down at her bag, the barrel of his gun swinging precariously, we saw that the suitcase was shaped like Mickey Mouse’s head. And when the soldier gestured for her to open it, we saw that the insides were chalk full of blow-up balls and candy bracelets – gifts she’d planned to give to the South Sudanese children.
There we were in the dark, in the middle of South Sudan, with Mickey Mouse grinning up at us and the soldiers with guns leering down at the candy inside his head. If the situation hadn’t been so terrifyingly surreal, I would have laughed. As it was, I was too busy praying.
So it went. One by one, each of us opened our suitcases on the dirt road while the South Sudanese soldiers loomed over us with flashlights blazing, guns ominously clanking. After about the fourth suitcase, the soldiers decided they’d had enough and waved us back onto the bus.
I did not feel safe again until we were barreling down the road away from them. Another half an hour later, we pulled into the compound at Kajo Keji, which would be our home for the next two weeks.
Later, after a solid night’s sleep and a breakfast of scrambled eggs and a thick flatbread called chapati, we would speculate on why the soldiers stopped us, finally deciding on what seemed the most plausible answer: the soldiers in the south were bored and jealous of their compatriots in the north, who got to see all the action.
Scaring us was a way to pass the time.
When people ask me about South Sudan, I am always wary of sharing this story of our crossing the border because I fear my telling of it will come across flippant or opportunistic: flippant, because the event was so frighteningly strange any retelling of it becomes comical, and opportunistic, because it was a brush with danger that makes a great adventure story for me, the American who made it home to her house in the suburbs, while for the South Sudanese I left behind, the life-threatening dangers remain.
Though I only spent two weeks with my South Sudanese hosts in Kajo Keji, I feel close to them. I am Facebook friends with a number of them, and every time they post prayer requests about friends who have been bitten by black mambas, relatives who’ve been injured in motorcycle accidents, or nearby villagers who’ve been wounded in violent massacres, I feel a combination of powerlessness and a desire to do something, anything, to help. I care about them, I guess is what I mean, and I want every story I share about my time in South Sudan to reflect that.
Yet, I’ve felt compelled to share this story nonetheless, seeing that I add the above caveat, because it’s an example of what it’s like to live a life so obviously prey to forces outside one’s control.
The South Sudanese live at the mercy of so much: unstable political forces like those which caused the soldiers to stop us in the night, as well as every unpredictable force of nature you can imagine, including illnesses like malaria, wild animals like the poisonous black mamba, and even the rain, which they rely on to water their crops and fill their wells.
Reading articles about South Sudan these days, I often feel a chill, partly because, in some small way, I experienced what it’s like be at the mercy of these forces, and partly because I wonder if our Western lives are much less under control than we’d like to think. In many ways, the South Sudanese know this truth – that we are fragile and dependent creatures – better than we do, simply by virtue of where they live.
I suppose that’s why, when I listened to them pray again and again during those two weeks, praying over bowls of fried chicken, praying inside overheated churches, and praying under the shade of leafy palm trees, I always felt the voice of doubt had little air to breathe.
After all, when faced with your own vulnerability, it hardly ever does.
October 23, 2016 § 2 Comments
Happy weekend, y’all! Here are a few links to things I’ve written lately.
Of all the things I ever thought I’d publish, poetry was not one of them. Which is why I’m glad I sometimes (okay, a lot of the times) get things wrong.
This month, one of my poems was published in the beautiful online literary magazine s/word! You can read the poem in the magazine or check it out here:
I’ve talked before about my work with The Well Community, a nonprofit that serves those who struggle with mental illness in Oak Cliff, a borough of Dallas. The Well is a super organization, and I recommend them to anyone in the Dallas area (or beyond) wanting to help those on the margins.
This month, I wrote several stories for their blog:
- I hung out with their members, those who struggle with mental illness, during their biannual spiritual retreat.
- I chatted with several volunteers about their experience helping The Well.
- And I hung out with a group of firefighters renovating The Well’s boarding house.
If you’re interested in learning more about The Well, please drop me a note! I’d love to answer any questions about them.
Also, I recently created a Facebook page where I post links to things I write. You can check it out here!
September 29, 2016 § 4 Comments
A friend of mine recently introduced me to The Divine Hours by Phyllis Tickle, a trilogy of prayer manuals that are a modern reworking of fixed-hour prayer. With roots in Judaism and early Christianity, fixed-hour prayer is one of the oldest Christian spiritual practices. While it has evolved over the centuries, it is essentially the practice of praying (often by chanting) certain predetermined prayers at certain predetermined times of the day.
Since learning about The Divine Hours, I’ve realized I’m a bit late to the game. Now, I come across the books everywhere: on friends’ bookshelves, tossed around in various conversations, and even in the occasional artsy Instagram post.
Isn’t that how it often is? Something can be right in front of your face, and you don’t notice it until you need it.
On a late summer morning, my friend and I settled ourselves beneath a blanket, mugs of steaming coffee in our hands, and chanted together the prayers and passages allotted for the day. It was an unusual thing to do in her modern apartment, our monotone voices joining a legacy of petitioners extending far into the past. While at first, the chanting felt strange on my lips, uncomfortable even, in its sincerity and unconventionality, soon, I settled into the mantra, our low voices soothing to my soul, the simple act of singing words of thanks, of request, of remembrance, of praise good in and of themselves.
The prayers set me firm in my body for the day, but more than that, I liked what Tickle wrote in her introduction: “The Divine Hours are prayers of praise offered as a sacrifice of thanksgiving and faith to God…The fact that the creature grows strong and his or her faith more sinewy and efficacious as a result of keeping the hours is a by-product (albeit a desirable one) of that practice and not its purpose.”
In a world in which there is so much pressure for everything from the work we do to the prayers we pray to have immediate material efficacy, it was a relief to simply enter into a practice with no other goal than to see and acknowledge what is good.
A passage that continuously appears throughout The Divine Hours, and one that draws my eye again and again, is this verse from Psalm 55: In the evening, in the morning, and at noonday, I will complain and lament, and he will hear my voice. My friend pointed it out to me on that first day, and each time it reappears, I think: yes, that passage is for me.
Because isn’t that what I do all day long, complain and lament, both to others and to God? And isn’t that a picture of grace, that these complaints and laments do not fall on deaf ears, that however big or small my daily trials, they are always heard, they are always acknowledged.
This, I think, is why I’m coming to love The Divine Hours. This continuous, all day, everyday, looking for God. This turning every complaint and lament, every hope and exultation, every thought, small and large, up to the sky in habit-forming rhythm. This basic movement of the lips and of the heart.
May 5, 2016 § 2 Comments
When you are shrouded, how does one go? Who am I, that which beget me? Love which holds the universe fastened together,
where do I pass and are you mindful? Why, if you are?
That such intricacies exist which we do not know: a caterpillar chewing a green leaf, a frog dying in a pond alone, baby chicks hatching in a needled nest, me by myself drinking coffee. Such personalities! Such extravagance, and I’m more interested in what’s for dinner.
Expand our hearts so that we might see — the universe within us, and without. Show us your radiance in it all, in an early morning sunbeam and the minuscule growth of a fingernail.
These images, pasted together, amount to a glimpse, but still you remain hidden behind layers and layers of starry black cloth. It doesn’t end here. There is more to be given, and received. Fold us into your shadowy veil.
*Photos from my recent trip to Texas Hill Country.
April 25, 2016 § Leave a comment
I shared this essay on all of the usual social media sites when it was published several weeks ago, but in case you missed it (and if you’re interested!), my essay After the Storm appeared in the fifth issue of the lovely Cordella Magazine, an online literary magazine that features the work of women artists and writers across the world.
The piece is a somber reflection on the aftermath of the tornadoes that hit North Texas over Christmas.
It started with some meditations I jotted down after helping some friends who’d survived the tornadoes clean up their house, and through the editorial advice of a friend, became the essay it is.
We say a prayer of thanksgiving for safety, and I am glad to whisper it. I have known safety in moments of danger, and it is something to be thankful for.
For any interested readers, you can find the essay here.
April 7, 2016 § Leave a comment
A year ago today, I posted an essay about a car accident that I should not have walked away from. I try not to talk about the accident too much because I don’t want to be that girl who’s always talking about her near-death experience. But the truth is, I think about it fairly often.
I think about what one of my wise friends told me afterwards: that I can think of every day since the accident as extended time, time that, really, I should not have.
And so, I’m reposting this essay today as a reminder of the wonderful gift that life is, the wonderful grace of existence. It was also adapted as a Sunday essay in The Dallas Morning News, and you can read it there as well.
Once, I had a car named John Russell.
An odd name for a car, you might say, and many people did. But if you’re going to name a car, you might as well name him something special, and John Russell deserved a special name.
He was a college graduation gift from my parents, a dusty gold Ford Escape, used, but complete with everything a 20-something-year-old could want: sunroof, CD player, and cargo trunk, ready for road trips, ready for adventures.
And we had some adventures.
We drove halfway across the country and back. We drove up and down the West coast. We drove in the mountains. We drove in the desert. We drove in the snow. And we drove in the rain.
I gave John Russell his name on our inaugural adventure.
I’d just graduated from college and was driving from Texas to California for my first job as a post-graduate. And because it was my first job, and because it was my first time driving halfway across the country, and because they love me, my parents came along.
Which meant: I got to spend a good deal of the trip reading in the backseat (a reason to let the parents tag along, in my opinion).
Before we left, I visited the local used bookstore to find the perfect novel to accompany me on my adventure West. The great Elmore Leonard had died that summer, so I sauntered over to the Westerns in search of his name. A thin yellow paperback caught my eye.
Within seconds, I knew this was the book.
In Hombre, Leonard tells the story of John Russell, a white man raised by Apaches. John Russell is taking a stagecoach ride with a bunch of other white folk who, because of his association with the Apaches, don’t like him much. In fact, they dislike him so much they force him to sit up top with the driver rather than inside with them.
Of course, their attitude changes when outlaws attack.
Suddenly, John Russell, with his wily Apache ways, is the only one who can save them.
And he does.
But in the process (spoiler alert), he dies.
I read Hombre while driving west. While the dry Texas plains and the hot New Mexico desert and the rain-streaked Arizona rocks zipped past, I read how John Russell gave his life for some people he didn’t know, some people who thought he was less than the clotted mud on the bottom of his moccasins.
And because Hombre was the first novel I read in my car, and because I loved the character so much, I named my car after him – a Christ-like figure in a cowboy hat.
Now, as you can imagine, explaining the origin of John Russell’s name was always a bit of an ordeal. In fact, the explanation was so tedious it usually left me wishing I’d chosen something simpler or, better yet, nothing at all.
And so, only a handful of people knew his name, but those who did used it affectionately.
When his transmission broke, they said, “John Russell has a stomach ache.”
When I took him to the car wash, they said, “John Russell’s taking a bath.”
But in the days after the crash, we never once called him John Russell. Instead, we referred to him only as “the car.”
I was driving on the highway from Dallas to Austin, and it was raining. John Russell and I had been in the rain before, and though I doubt he liked it much, I certainly did. I’ve always loved the rain, especially the rain in Texas.
I was listening to the radio. At first, NPR. Then later, Johann Pachelbel’s Magnificat in D, Mary’s song of praise when she finds out she’s pregnant. And still later, some obnoxious new country song.
I hit a patch of water, which caused me to hydroplane and lose control. I slid right and John Russell’s nose went left. The steering wheel jumped away. I was drifting fast, trying to brake, not sure if I should brake, headed toward a semi truck on my right, sure my tires would hit a strip of dry road and the car would flip and the semi would barrel through me.
I thought I was going to die. I cried out to God.
When we hit the concrete median, John Russell crumpled like an empty soda can, the hood buckled, the glass shattered. I bit my tongue hard and my head snapped side to side.
I should have died. I should have cracked my skull or fissured my spine or broken my arm, but I didn’t. All the energy that should have shattered my bones, John Russell absorbed instead.
Afterward, I rode in an ambulance to the emergency room and never saw him again.
The way I see it, there are two ways to interpret our lives: either the things that happen are meaningless, or they’re not. And if they’re not, then we can look at our lives and read them like a story to discover the purpose underneath.
Reading my life like a story sounds nice when it’s day-to-day, but when it’s something as profound as a near-death experience, every interpretation sounds hollow in comparison to the real thing, as though it’s too extraordinary to understand through human eyes.
What’s more, I will forget details of the event and botch the story.
I will forget that earlier that day I was filled with a surge of hope for the future, but that I was frustrated when I left Dallas.
I will forget that in the ambulance I repeated over and over to myself the Jesus prayer, Lord Jesus Christ, Son of God, have mercy on me a sinner, because even though I was safe, I was still afraid that my luck would run out and God would let me die right there on the gurney from some unknown internal wound.
I will forget that on the drive home from the hospital, my body wracking with sobs, my father calmed me by telling stories of his own near-death experiences.
I will forget all these details and pull together others to make a story that makes sense to me in the hope that it is the right story, or at least one true story out of many possible ones.
But what else can I do? Meaninglessness isn’t an option.
My interpretation goes like this:
Before the accident, I was scared, mostly about the kinds of things I imagine most 20-something-year-olds are scared about: the scant number of dollars in our bank accounts, the pressure to find a job that both pays extremely well and fulfills our unattainable desire to absolutely love our work, the unfounded belief that with each friend’s wedding we move closer to spinsterhood, and other things as well.
After the accident, I was no longer scared.
Though my whole body ached, though bruises began to appear in black splotches on my arms and legs, though a red mark emerged where the seat belt had dug into my collar, I’d never felt better. I was keenly aware of having survived something I should not have survived, that my very existence was a gift, that I was a living testament of grace.
Survival brought with it a kind of freedom. I was grateful to be alive. What else mattered?
God had been there, a hand of protection when I swerved all over the watery road and slammed into the concrete, so near to me in that moment when my heart was a hand that reached out and grabbed him, when I yelled “Help!”
And yet, where was he, really? I didn’t see him. Not on the road or in the ambulance or in the hot shower that night when I scrubbed the sticky tape leftover from where the medic had stuck an IV in my arm, or when I curled, shaking, under the comforter and tried to sleep.
And why me? I know others have not been as fortunate. Nor am I now untouchable by evil, by pain, by death, though I’m as likely as anyone to naively believe in her own immortality.
To have an encounter with death like that, to know God’s protection in a moment of complete lack of control, and then to find afterward that God is still too huge to comprehend, too different to even find to approach, too vast to experience fully – it is disquieting.
This is what moments of closeness to the other world do to a person. They awaken in us acknowledgement of God, acknowledgement of grace.
What am I saying?
I’m merely saying that this life is grace, that both the accident and surviving the accident were gifts. I’m merely saying that this moment of survival, along with the thousands of breaths we take per day, are given to us and could just as easily be taken away. I’m merely saying that I experienced a holy being who loves me, who undergirds my existence, who in doing so is nearer to me than I am to myself, and in being able to do so is farther from me than the farthest star from the Earth, a being who would crumple and bleed to keep me safe, just like John Russell.
I miss John Russell, of course.
I miss the memories we made with my bare feet sticking out his back window. I miss reading on his sunlit seat. I miss finding sand scattered on his floor after a day at the beach. I even miss checking his oil and filling his tank with gasoline – or, as I used to say, “taking him out for a drink.”
As I write this, my old friend’s in an impound lot in West, Texas, a blip on the map just north of Waco, sides scraped, bumper hanging loose, frame twisted, and windows smashed. Meanwhile, I’m sitting on my front porch in Dallas on a beautiful Sunday afternoon, sunlight dappling the grass and a light breeze rustling the leafy branches of an old oak tree.
John Russell saved me.
But in the process, he died.
A tall calling for a used car, but John Russell had a tall name. I’d say he lived up to it.
February 1, 2016 § Leave a comment
“See, I have engraved you on the palms of my hands; your walls are ever before me.”
You promise to build us a highway over and through the mountains. You promise to feed us, to quench our thirst, to let us see. You promise that you are near, that our names are inked in dark blue and black scrawls on your wide hands, that the love of a mother for a baby might, improbably, fail, but yours will never for you are love itself and cannot not be what you are. When it appears you are far, let us know you are close so we do not grow bitter. Show us a sign so the mountains of our hearts and the earth of our bodies might shout, might sing. Remind us: our walls are your walls, and like a ghost you walk through them, carrying us along.