May 7, 2018 § Leave a comment
As some of you know, I’ve taken a hiatus from the world of writing since the beginning of the year. This wasn’t planned. If ever you think you know the trajectory of your life, think again. Someone once told me: Life usually turns out far better and far worse than you imagined it would. Since last October, when I first felt the dull edge of pain that would blossom into what I now call my “weird” illness, I’ve found this to be true.
My life took a turn: pain in my neck, my back, and my hands so excruciating I couldn’t use the mouse for my computer, sometimes couldn’t turn my head, most of the time wore heating pads stuck to my spine. Fatigue so extreme, I would go out to dinner with friends only to leave early because I feared I would be too weak to drive myself home. Strange muscle pain I described to my many doctors as, “burning in my arms and legs.” Aching in my knees and elbows. An inability to get enough air into my lungs. There is much more I could write about what’s happened; maybe sometime I will.
For now there is this: hope. Hope in the fact that today I can sit at my computer and type this blog post. Hope in the form of doctors who think they’ve landed on a diagnosis at last (could it be Lyme Disease? it seems likely). Hope in the fact that my energy ever so slowly has returned, the pain ever so slowly abated, that though my recovery may be long, there can be full recovery.
Also: in the midst of this, physical manifestations of God’s mercy. Maybe some day I will write about that, too. Suffice it to say, the far better part has been true also.
In the meantime, I’ve been meaning to share on this blog some of the stories I wrote before taking my hiatus.
And second, I wrote a few stories about classical music in the Dallas area. The Dallas Symphony Chorus celebrated their 40th anniversary this year and a new choral ensemble, Verdigris, appeared on the music scene. If you’re a Dallasite, I recommend them both to you! And even if you’re not, the stories of their successes and differing approaches to art inspired and intrigued me quite a bit…maybe they will you as well.
October 23, 2017 § Leave a comment
Over the last few months, I’ve had a blast interviewing and writing about a number of authors who’ve visited Dallas. For fellow bibliophiles, if you missed these stories on social media, here are links to my most recent books-related pieces.
I had the pleasure of interviewing children’s book author Carol Weston about her most recent book, Speed of Life. The book is a thoughtful, sweet and even humorous look at grief through the eyes of a teenage girl. Weston is the advice columnist for Girls’ Life magazine, so you can bet she has some real wisdom about how to suffer gracefully through loss.
I chatted with local Dallas author Samantha Mabry about her newly released young adult novel All the Wind in the World, which appeared on this year’s National Book Award longlist. The book is part love story, part dystopia and part Western. The narrative is steeped in poetry. Honestly, I couldn’t put it down.
And finally, I talked with debut author Brit Bennett about her acclaimed first novel, The Mothers. While the book addresses mature themes like suicide, infidelity and abortion, Bennett’s lovely writing softens the intensity. It’s a beautiful first book.
That’s all for now — more to come later, I’m sure. Until then, happy reading!
September 18, 2017 § 2 Comments
Lord, have mercy on the artists.
Have mercy on the ballet dancer who’s memorized the steps for her upcoming audition so perfectly she dreams the movements in her sleep, her toes pointing and flexing beneath the sheets. She arrives early to the audition, her tired pink leg warmers drooping along her calves, her worn point shoes tied at the ribbons and slung over one arm, her eyes shining with the hope that maybe, just maybe, this time she will get a part in the dance.
Have mercy on the painter who wakes early every Saturday morning to catch the golden light at the dawn of day. She arranges her paint brushes, canvas, and easel at the edge of the water, listens as the birds begin to chatter, watches as the sunlight first touches the lake. During the week, she works as a waitress, balancing trays of ice water and fried fish with a strong arm that now holds her palette, but when people ask her what she does she lays claim to her true nature and in the face of their skepticism (How do you make a living painting landscapes?), she answers boldly, I am an artist. It is a labor of love.
Have mercy on the pianist who’s taken private lessons in the living room of an elderly lady with shock white hair since she was three years old. She volunteers at her church now, playing old hymns that still tingle her nerves, her fingers flying across the chipped black and white keys. She dreams of one day playing on a Steinway at Carnegie Hall. And why not? Her parents always told her she could do anything. And it isn’t out of vanity or ambition that she practices arpeggios and scales day after day, but because she loves the clear and complex sound of the chords as they progress gracefully. She only wants an audience for her music, an audience who appreciates the great composers like Beethoven and Shostakovich. She wants to perform well, for the music to transport those who listen.
Have mercy on the actress who cannot decide whether she should stay in her small hometown where she teaches acting at the local high school and performs starring roles in the community theater or move to Los Angeles where she might attend audition after audition and never receive a single callback in ten years. She fell in love with theater when she was thirteen years old because the theater kids were weirdos too, and she thinks she has real talent, thinks she might actually be somebody someday. Her motivations are mixed: she loves theater, enjoys it for what it is, but she also wants to be rich and famous, a true Hollywood star. She doesn’t move because she’s afraid of this monstrous ambition hidden deep within her, and yet, she probably is talented and hard working enough to catch the eye of any producer.
Have mercy on the writer who wakes every day before the sun, brews strong black coffee, lights several candles and a stick of sweet incense before sitting hunched at her laptop, stringing word after word, spinning stories out of smoky air. On her good days, her imagination carts her off to magical lands where she meets strange and interesting characters who come to life on her computer screen. But on her bad days, she is full of fear, a fear that keeps her from that other land, a fear that says, Nothing you create is worth anything. It is all the vanity in Ecclesiastes, words dispersing like fine blown dust.
Lord, send your grace upon these your people. In their failures, in their ambitions, in their needs, remind them that You love them. Remind them that You are pleased whether they do anything or not. Remind them that the tasks set before them are worthy. Remind them that You bear their disappointments with them, that they are not alone. Remind them that they have something to offer. Remind them that they are, simply, children of God.
August 23, 2017 § Leave a comment
The Lord is a fly, black, fat, and buzzing. He bites. He is mean. I am in my bedroom, lying in bed, waiting for the fly. Will you come to me, fly? Bite me? Let the blood run thin? God is a baby, yes? But he is also a fly. A pesky nagger. A nuisance just out of reach. Go away, fly. Go bother someone else. Go find a pile of crap to land on. I’m not your garbage heap.
Fly, fly. You mean, vicious bug. Why do you love lights so? You hit them – bzt bzt bzt – and each time get a little shock. Can’t you see I’m trying to concentrate? Can’t you see I have real, practical things to address? My most recent bank statement. That email to a friend. Maybe even, a prayer.
You circle my head – Lord, why do you come at me as a fly? There are so many better, nobler, sweeter creatures you could have chosen. Maybe my cat, black and furry, purring on my bed. Or the dog, who, yes, barks in the mornings, but is otherwise docile. Fly away fly! You’re a bother! What do you want from me?
Only absolute attention. Only observation of what is small and annoying. Only the end of laziness and the beginning of quick action. You win Fly-God, okay? You’re under my skin.
August 14, 2017 § Leave a comment
Well, here I am.
Finally, another blog post.
Last week, I turned 26, and a birthday seems as good a reason as any to sidle back to this small (and lately, neglected) corner of the Internet to set down a few of the thoughts bouncing around in my head. After all, what’s the point in having a blog if you don’t use it as an excuse to formulate some of those fleeting ideas that strike you on the drive to work, in the shower late at night, over a beer with a friend, during an overpriced yoga class when you should be focussing but, let’s face it, can’t.
So, here I am.
Last year, I wrote about turning 25. This year, instead of writing about turning 26 (really, it was uneventful in a good way), I’ll share some of the things I’ve been thinking about lately. These ideas have helped me navigate some unfamiliar territories — a new job, the usual relationship drama, my own inner neurosis that have plagued me forever and probably always will (don’t lie, you know you have them, too!).
Maybe these ideas will help you, too. Or maybe not. Maybe they’re kind of interesting. Or maybe you’d rather read something that’s definitely interesting, like that time a few months ago when I got lost in the Himalayas in the dark. Either way, here’s to another year of trying to make it through this weird, confusing, often difficult, but definitely beautiful, world.
A friend once told me that all of life is simply a series of decisions. While I suppose that’s rather reductive, I think he’s onto something. In a given day, we’re required to make a number of decisions, from slightly inconsequential decisions about where to eat lunch to more important decisions about who to date, where to work, and what to believe. Decisions are mandatory, and learning how to make a decision well is a surprisingly useful skill.
But if you’re like me, choices can be paralyzing. Not necessarily whether to eat that second piece of cheesecake (the answer is always, yes, definitely eat it), but whether to live here or there, whether to take this job or that job, whether to befriend this person or that person. What makes these decisions so challenging is not that one choice is the boring but morally correct choice and the other the exciting but morally wrong choice — that’s a different scenario. Rather, both choices offer potentially good outcomes, and choosing one over the other necessarily cuts off a potentially good thing from happening.
In other words, as another friend pointed out, we can expect an element of sorrow in every choice we make, because making a choice by necessity requires losing out on something good.
Why is knowing this helpful? By accepting disappointment and sorrow as a given in every decision we make, we’re empowered to act. We can enjoy the fruit of our decisions while simultaneously realizing that something is lost — and that’s sad. It’s not how it’s meant to be, even if it is that way on this side of heaven.
on going slow
I spent the summer working in a bookstore, and you wouldn’t believe the number of titles piling up on our shelves that are all about slowing down in an age of distraction, in an age of busyness (or maybe you would believe it; busyness is rather endemic in America, after all). All of these books offer something valuable — tips and tricks for leading a less hectic, more meaningful life. But I would like to take the idea of slowing down a bit further.
Often, we find ourselves in situations we don’t like. Maybe it’s a relational situation. Maybe it’s a difficult job. Maybe it’s being fed up with the same old miserable problems day after day. Often, our response to challenging situations like these is to violently end them by lashing out, quitting, or simply shutting down. Sometimes, of course, this needs to happen. But other times, a more prudent, slower response is better.
Lately, I’ve been reading Jesus’ parables (and an excellent book about them: Tell It Slant by Eugene Peterson). Jesus’ parable of the fig tree struck me in particular. The fig tree isn’t growing or producing fruit, and it’s owner wants to cut it down in anger and despondency. Instead, however, he decides to give it one more year, puts a bit of manure on it, and waits. Adding the manure is banal. It’s a bit gross. It requires patience to see what happens. But that little bit of manure may make all the difference in a tree that’s barren and a tree that’s ripe with fat, sweet figs.
In the same way, making small adjustments to disagreeable situations and waiting with patience to see what happens is often wiser than shutting something down. Maybe nothing will happen. Maybe the same problems will bother you next year. Or maybe, just maybe, that little adjustment was all you needed.
Maybe, you need to go slow.
If you got this far, maybe you’re interested in some of the other things I’ve written lately. I frequently write for The Well, a nonprofit in Oak Cliff that helps those who struggle with mental illness. Here are several of my latest pieces, including one on how pets help the mentally ill and another on the importance of community for the mentally ill.
June 23, 2017 § 2 Comments
All traveling, be it an hour drive to a nearby state park or an overnight flight across the pond, requires taking risks, and traveling to a developing world country requires an especially long list of them. At the top: the risk that you may return home with a little bit of that country hidden away in your gut, in the form of a hungry parasite, perhaps, or an angry bacteria, or a mysterious and terrifying virus that conjures images of doctors wearing hazmat suits while tending to you in a sealed hospital bed.
Less than twenty-four hours after my flight home from South Asia, the symptoms began. Stomach cramping. Bloating. Grumbling. And — ahem, I know it’s gross — some of that pesky traveler’s diarrhea.
I didn’t think too much of it at first. After all, my stomach was adjusting to Western food after two months of rice, lentils, curry, and paneer. Plus, I’d been sick in India. This bout of unpleasantness was probably the lingering remnants of the illness I’d experienced on the banks of the Ganges, dirtiest and most holy of rivers. But a week later, I was still suffering, so I did what you’re supposed to do: I went to the doctor.
I was driving through the busy streets of Dallas when my doctor called. I’d been waiting for his call. I’d undergone a number of tests and was waiting for him to tell me the results. I wasn’t worried. After all, the symptoms were mild. When I’d met with him earlier that week, we’d amicably swapped stories about South Asia while he listened to my colon with his cold, silver stethoscope. The atmosphere was light. I wasn’t feeling great, but I wasn’t feeling terrible either. This upset stomach was just something to nip in the bud. I’d never been seriously ill before; I couldn’t be that sick now.
I pulled off the side of the road and answered my phone.
When my doctor told me the name of the mean bacteria swimming around my gut, it sounded like gibberish to me, like Greek, or Latin, which, of course, it was.
“It’s a serious thing,” he said seriously. I had never heard him sound so serious before. In the span of five minutes, he used the word death more than five times.
“Whatever you do, don’t take an antidiarrheal. It can lead to your death.”
“Whatever you do, don’t drink alcohol while on these antibiotics. It can lead to your death.”
“This bacteria is life threatening.”
“This bacteria is hard to kill.”
I was reminded of those TV commercials for the latest pharmaceutical drugs, where a mysterious man with a low, soothing voice speeds through a list of side effects while a beautiful woman and her equally beautiful golden retriever walk breezily along a sandy beach: side effects may include loss of sight, uncontrollable vomiting, temporary paralysis, oh, and DEATH.
I scribbled everything down on a yellow sticky pad. I asked him the few questions that came to my mind, knowing I would have a million more as soon as I hung up the phone. I hung up the phone and started to cry. I thought: surely I didn’t travel all the way to Mount Everest and back only to die in the suburbs of Dallas. How absurd. How horrifying. How totally unfair.
This is the way of the world: one moment, you’re healthy and carefree; the next, you’re not. Kurt Vonnegut comes to mind: so it goes. Joan Didion: life changes in the instant. The Tibetan Book of Living and Dying: all of life is a preparation for death.
“He said taking an anti-diahreal could lead to my death!” I later explained to my family and friends. “I have diarrhea! Don’t you think I’ve taken an antidiarrheal? Don’t you know I’ve already taken three antidiarrheals this week?!”
I talked about diarrhea a lot over the next month and a half. After a while, it seemed like a normal topic of conversation to me. Of course, every once in a while, a stranger would give me a sideways glance that said, “I don’t care if it could kill you. What makes you think you can talk to me about diarrhea?”
Earlier that week, I’d ordered E.M. Forster’s A Passage to India with the intention of learning more about the country I’d recently visited. But when I picked it up in the reserve section of the library and brought it home that day, I found I couldn’t look at it. I couldn’t even read the summary on the back of the jacket. Not that I held India responsible for the bacteria producing nasty toxins in my gut. In fact, I still loved India as much then as I did when I was jetting around the country on its fabulously exotic trains. I still planned to return someday. I knew who was responsible: the brutal nature of the natural world. I just didn’t want to be around anything that reminded me of what was happening on my insides.
I wanted to lie in bed all day and watch Woodie Allen films, which were the perfect mix of melancholy and humor. I wanted to take long walks around my neighborhood and soak up the sunshine. I wanted to observe every fat white magnolia blossom and run my hands through the faint mist of every front yard sprinkler. I didn’t want to look up my bacteria on webMD. I wanted to communicate the gravity of my situation to my family and friends, and at the same time, I wanted to remain lighthearted and optimistic. More than anything, I wanted the sharp cramps in my gut to go away. I ferociously, stubbornly wanted to be healthy again.
Now that I’m on the other side of sickness, in the tranquil forgetfulness of health, I wonder if I was being dramatic. It’s a question I can afford to ask now.
But when I woke in the morning to my stomach cramping, when, after the first round of antibiotics, my stomach was still cramping, when the fear that I would suffer from this bacteria chronically, for the rest of my life, ate away at my spirits as much as the toxins ate away at my gut, I didn’t feel dramatic. I felt reasonable when I asked for prayers for healing. I felt smart when I stepped down from various work commitments so I could focus on getting well. But now, in the glow of health, it seems odd that I ever thought I might not get better.
We forget ourselves so easily. I forget what it felt like to run up against that hard fact of life: that I am my body, and without my health, my body doesn’t exist and neither do I. It gives a whole new meaning to the concept of resurrection.
When I was sick, everything in my life became urgent. This is the silver lining to every illness: what matters to you becomes razor sharp.
Don’t get me wrong, all illness is bad, being sick is awful, death is not something we were ever meant for. That said: paradoxically, we receive something even in the worst of circumstances.
I don’t want to go to my grave without doing this! Or this! Or that!
I acted out of that urgency. I wrote an old friend to explain how I really felt, a feeling I’d been afraid to voice for years. I took a good hard look at my life right now and decided it would be good, no matter what. I sent spontaneous, thoughtful text messages to friends. I walked around my neighborhood and cried for how beautiful it looks in late spring. I took long hot showers. I bought myself a brand new yoga mat. I read what I wanted to read.
Some of this left me emotionally tired, but in the best way. I suppose it’s good that we don’t experience this kind of urgency all the time, that sometimes we’re complacent and forgetful about what matters.
The weight of constant awareness is exhausting.
Six weeks later, I got the call: I was bacteria free.
I knew it was coming. I had already felt the change in my body: no more cramps in the morning, no more — ahem — diarrhea at night, no more grumbling and bloating after I ate. When friends and family members and well-meaning acquaintances asked me how I was doing, I said, “I’ve never been better!” I always took my health for granted, I said, but health is the best thing we’ve got. You feel so alive after recovering from illness.
But the ghost of that angry bacteria remained with me. One afternoon, I felt a sharp pain in my side, and my mind flashed with fear: could it be back? Could some little microscopic bit have remained, multiplied, and colonized, heaven forbid? It hadn’t, thank God, and for at least that moment, I let go of the fear.
April 27, 2017 § 4 Comments
I go to sleep in India, and in the morning I wake with my stomach roiling, the pain in my belly sharp and hot. I curl on my side, and sleep and sleep and sleep, the voices of my foreign roommates at the hostel in Varanasi close to my ear but far from my conscious. I sit up, nauseous, and curse the hostel for building its toilets three floors above on the hot roof beneath the relentless sun. I think, I’ve never been so violently ill in my entire life, and I wonder if I’ll be well enough to catch my overnight train that leaves in a few hours.
One bumpy Tuk Tuk ride later, my scarf whapping wildly against the metal roof, my backpack balanced on one knee, we are at the train station. We are late, with five minutes until our train departs, and I run after Emma, my legs weak and my chest heaving and my belly tight. In that moment, I’ll admit it: I hate India.
But then we are on the train, and I am lying down with my cheek against the hard leather bed and a crisp off-white sheet laid upon me. Eighteen hours passes fast when you’re exhausted, and the next thing I know, I awake in a pool of sun to the low call of “Chai! Chai!” from an Indian man carrying a metal thermos up and down the aisle. I order two fried potato somosas wrapped in newspaper and manage to keep one down. Then, we pull into Jaipur, Rajasthan.
Suddenly, in the glow of my restored health, India blooms.
In the cool of an early morning, Emma and I catch a Tuk Tuk to a coffee shop in old Jaipur, where a waiter in a fabulous white and green turban with a stiff fabric plume serves us black coffee and French toast and eggs. Full at last and content, we walk at will through the bazaar, and the smells are so good: incense and sweet curd and hot red curry and so so so many flowers, soft red petals stacked in thick layers and strings of yellow marigolds and bunches of purple and orange and pink blooms. Women crowd stalls filled with sparkly bangles, trying them on in layers of six and seven colorful plastic rings jangling up their arms. They ooo and ah and tell me, “look at these, they’d look good on you,” and so I give myself over to the colors of India.
I buy cheap bangles with purple and green and gold rhinestones and peacocks painted on the sides. I buy a long pink and green and silver sequined skirt. I try on a white sari that shimmers like real marble. Emma and I drink Coca Cola in cold glass bottles with an Indian vendor in the shade of his quiet rooftop shop, where we sort through painted carved elephants and bright chunky turbans and slippery silk blouses. The city is painted pink, and I’m falling in love.
On the Tuk Tuk drive back to our hostel, we stop at a red light and a boy, maybe seven or eight, wraps his arms around the metal frame, holding out one open palm and miming the taking and eating of food. His hair is sandy from white dust and his eyes are dark brown. Our Tuk Tuk driver shoos him away and the light turns green.
India is enormous, and another twelve hour overnight train ride west takes us deep into the Rajasthani desert town of Jaisalmer. We arrive at 5 in the morning, when the desert is still dark and quiet and breezy. Manu, the young man who runs the hostel, greets us at the front door and whisks us up three floors to the open air rooftop, where we watch the orange sun rise over the 12th century brown stone fort on the hill. We eat buttered toast and omelettes and drink milky brown chai.
Below us, men and women sleep on flat roofs. They are cocooned lumps in thick mattresses and ratty blankets. Manu sees me staring at them and says, “India is incredible. You can see anything in India.” We stay up there until it gets too hot — which isn’t long once the sun is up — and then we fall into our air conditioned room and sleep off the sleepless night.
We’ve come to Jaisalmer for a camel safari. Emma and I first heard about these safaris when we were in Nepal, and immediately knew we had to go on one.
In the late afternoon, we climb into the back of Manu’s rusty jeep and head further west, into the desert. The sun is a hazy circle of fire in the sky, the air hot and dry, the gravel road bumpy. Manu gives us both cold water bottles, and I press mine against my bare belly, the side of my neck, roll it between my hands. We zip past cacti the size of trees and start seeing the camels, standing about listlessly in the sun, staring at us smugly from the side of the road, plucking the leaves from desert oaks, sleeping with their long necks folded into the sand. I get a quick thrill when Manu tells us we are an hour’s drive from Pakistan. Once again, we are far from home.
Raju and Doola, our camels, are waiting for us at the camel point, a small sandstone village where camels with ropes around their front feet drink muddy water from a stone tank and chew cud with the mangy dogs running circles around their long legs. They are gangly, all knobby knees and fuzzy humps and skinny necks and floppy lips. When I climb onto Raju’s back, he lets out a primordial growl that reminds me of a dinosaur. These creatures are ugly and temperamental; they are also resilient and strong. They carry us in the triple digit heat out onto the sand dunes. The eight-year-old me who always thought camels were cute squeals with joy on the inside even though the ride is hot and uncomfortable, and soon my legs are sore.
The desert is pleasant once the sun sets. We drink chai from tin mugs off a platter on the dunes, watching the sun fall. In the distance, I hear the sound of Doola’s bell clanging as she chews her cud. Below us, a camel man and a camel boy cook curry and rice over a fire. Stray dogs lie on the sand, watching and waiting for a chance to steal our dinner.
Manu sits with Emma and me in silence as the desert grows dark and the first stars appear. There, shining bright is Jupiter. And there, so comforting because I can always see it at home, is Orion’s Belt. We sit on a coarse blanket by the fire in the dark and eat our meal as the fat black beetles scramble across the sand.
Manu and the camel man set up cots padded with thick mattresses up high on the dunes. We drink ice cold Kingfisher beers as he and the camel man serenade us with Rajasthani renditions of “Barbie Girl” and “Buffalo Soldier” and a sad song about an Indian woman who is getting married and must leave her family for good. We ask Manu questions about life in India, and he tells us there is no dating here, which is very hard. “When women don’t have power, men don’t have power,” he says. He tells us he will marry a foreign girl. He tells us he wants to travel, but Jaisalmer is as far as he’s ever been from his village of three hundred people near the Pakistani border. He wants to see the beaches of Goa, maybe, or the mountains of Nepal. Now that he’s no longer a camel man, but works for the hostel, he can save up money. He tells us all this in perfect English, which he began learning only two years ago.
That night, I count six shooting stars and send my wishes up to God. I see lightning flash along the horizon. I feel the cool breeze off the dunes and bury myself in my blanket. I fall asleep, and when I wake a few hours later, the Milky Way is a white river flowing above me. I feel so close to the sky, the dome above, it doesn’t seem real. When the sun rises, the birds chirp and an eagle soars right above us. Far out in the flat desert below the dunes, I see Raju and Doola sleeping with their heads up to the sky.